Myths, Monsters & Machines 

Group Exhibition

Sept 28-Oct 12, 2018 

From the mad, escapist mind of James Turner comes Myths, Monsters & Machines, an art show that devilishly mashes medieval fantasy with steampunk.

The point of departure is Theo Paxstone and the Dragon of Adyron, Turner's young adult fantasy novel. The destination is wherever the artist's imagination chooses.

https://www.amazon.ca/Paxstone-Dragon-Adyron-James-Turner-ebook/dp/B076B6MCPB

Featuring the following roster of incredible artists from all over the world. including internationally acclaimed SPECTRUM award winners:

Greg Broadmore (of Doctor Grordbort’s fame)
Ian Miller
Andrew Foerster
Tanya Mariott
Garry Buckley
Elif Varol Egen
Matthew Daley
Catherine Lane
Larissa Honsek
Friederike Ablang
James Ng
Alana Mcarthy
Paige Clark
Sean Lewis
Gergely Kapus
Becca Greenfield
Jen Phelan
Nik Dudukovic
Alex Bayliss 
Larent Zimny
Monika Mitkute
Jessica Shirley
Vladimir Petkovic
Mikael Kihlstrand
Tano Bonfanti
Roxanna Bikadoroff
Antiquefreak
Erica EGR Balon 
Steve Manale
Arthur Wartooth Tattoo
Tyrone McCarthy
David Puertas
Deshi Deng
Alena Skarina
Andrew Barr
An-Nhien Nguyen
Emily McCourt
Tessah Noreen
Andrew Zbihlyj
Geoff Wiggins
James Turner


One day I saw the sunset forty-four times 

Liang Wang, Curated by Theresa Wang 

August 16-28, 2018 

There are many reasons to leave a place. Whether it is willingly or reluctantly, to grow or to learn, the conditions of leaving make it possible to navigate throughout different spaces. Liang Wang’s upbringing has been marked by multiple points of departure. His childhood involved moving back and forth between the strained straits of China and Taiwan; later he and his family would cross larger bodies of water to live in multiple cities in Canada. 

Wang’s exhibition takes its name from a line in Antoine de Saint-Exupéry’s The Little Prince (1943), the seminal novella about the flight of imagination. One day I saw the sunset forty-four times presents a travel narrative akin to that of de Saint-Exupéry’s work. In his paintings, Wang parses through ordinary Toronto streetscapes to recreate the emotional experience of viewing a place for the first time. Having recently arrived in Toronto, Wang achieved introspection by exploring the city streets. What begins as a study of unfamiliar surroundings moves inquisitively into the realm of the alluring. 

Wang’s paintings reveal the complex dialogues between supplanting a place and creating fictive spaces through art-making. Though his eventual destination remains uncertain, Wang is comforted when he walks through the city with nowhere to be. For him, even everyday scenes have faint resonances that render time arrestingly still. He invites his audience to viscerally travel throughout the city with him as he did when he first arrived. Characterized by sumptuously saturated hues, Wang’s scenes are a tableau familiar to many Torontonians yet distinctly out of place, provoking a schism between the mundane and extraordinary. Wang employs vivid colours to create a hybrid portrait of Toronto. Viewing his surroundings as an integral part of his work, Wang maps out an urban environment primarily addressing the elements around him. His interpretations are characterized by a figurative style yet removed of people—as if to preserve the impressionistic memory of the place. Wang’s exhibition reimagines Toronto streetscapes and allows visitors to discover familiar scenes with renewed intensity and appreciation. 

 One day I saw the sunset forty-four times comprises of a series of oil paintings that convey the artist’s interests in notions of place and belonging. The exhibition also displays the artist’s sketchbook, revealing personal and ongoing processes and concerns. 

 —Theresa Wang 


Liang Wang is a Toronto-based painter raised in various parts of Taiwan, China, Australia and Canada. He has exhibited work in numerous groups shows at locations including Northern Contemporary Gallery (Toronto); Federation Gallery, Turnbull Gallery (Vancouver); and Rutherford Galleria (Edmonton). His work is in private collections in Canada and New Zealand. One day I saw the sunset forty-four times is his first solo show. Wang currently teaches painting at the McCanny Secondary School. 


Theresa Wang is a Taiwanese emerging writer, programmer, and researcher based in Toronto. Wang holds a BA Honours in art history and cinema studies from the University of Toronto. Wang’s current research revolves around moving images, posing questions upon archives, production, and practice. She is currently the TD Community Arts Space Research Assistant at the Gardiner Museum and the Curatorial Assistant at the Art Museum at the University of Toronto. 


All Day Breakfast

Join us July 6th - 18th for All Day Breakfast, an illustration group show!

What is your morning ritual? Whether you’re an early riser or constantly hitting snooze, eating a full breakfast or relying on copious amounts of coffee, everyone has their own routine. All Day Breakfast takes an illustrative approach to exploring these habits and how different artists like to start their day. 

Using Format